Tag Archives: Embroidery

Meet the Artist in Residence: Britny Wainwright

Britny Wainwright, artist in residence at Main Street Arts during the month of June 2019, is working in one of our two studio spaces on our second floor. We asked Britny some questions about her work and studio practice:

Artist in her studio.

Artist in her studio.

Q: Please tell us about your background.
Hi, I’m Britny. I grew up just south of the Finger Lakes region, in Owego, NY. It’s refreshing to not have to describe where the Finger Lakes are!

I attended Alfred University, receiving my BFA in 2012. In 2017 I received my MFA from Ohio State University. While both degrees are in fine art, I concentrated in ceramics for both of them.

I now live and make work in Columbus, OH. I first moved to Columbus for graduate school in 2014, and have stuck around for the amazing creative community. I love living in a vibrant city, and Columbus has many great opportunities for artists! I teach as an adjunct instructor at Ohio State and Capital Universities, and maintain a studio practice.

Enduring Blossom, 2017, terracotta, glaze, canvas, wood, foam, house paint. 64” x 54” x 60”.

Enduring Blossom, 2017, terracotta, glaze, canvas, wood, foam, house paint. 64” x 54” x 60”.

Q: How long have you been making artwork?
The earliest memory I have of my obsession with material and making things, was a field trip in preschool. I think it was some sort of career day, but what I lost my mind over was the sand art table! The scratchy sound the plastic spoons made dipping into containers of brilliantly colored sand has stuck with me. I think this experience was the first time I realized making art could be something primary in my life.

I really got serious about being an artist in college. I was very fortunate to attend a fantastic undergraduate program in art — Alfred University’s School of Art & Design. It provided me with a well-rounded art experience, and ultimately I concentrated in ceramics, although my secondary was painting. My minor was in art education, and I even finished my teaching certification before decided to pursue graduate school for an MFA.

Untitled. 2019, felt, painted canvas, trim, fiberfil. 27" x 43" x 6.

Untitled. 2019, felt, painted canvas, trim, fiberfil. 27″ x 43″ x 6.

Q: How would you describe your work?
I’d have to say my work is a granny’s dream of ugly couches, and floral prints, plus material play? Most of my academic training was focused on ceramics, and it deeply influences my work,  but I now maintain a much more hybrid practice of ceramics and fiber. I find both of these mediums, plus painting, are necessary to speak about the content in my work.

I am an artist because I have things to say. As a woman the very act of making work is a feminist act. I try to not discredit my voice before I speak! Placing floral pattern, stitching, embroidery, and bright colors in the gallery is an act of celebration of feminine things. I question the authority of these things in gender and art, and the conceptual consideration these practices receive, or don’t.

Studio shot. Clay motif "tiles" in progress.

Studio shot. Clay motif “tiles” in progress.

Q: What is your process for creating a work of art?
It depends on what I’m making, but most certainly heavy-repetition is guaranteed. When I make works that require ceramic motifs, or tiles as I call them, I start with producing them: rolling slabs of clay, cutting motifs, defining and drilling holes, drying, firing, etc. I then build the structure and stitch on the tiles by hand before upholstering. Ceramics is a long process and sewing is quite the opposite. It’s instant gratification! I’m able to walk into my studio and finish a piece in a few hours — totally unheard of in ceramics.

Lay Your Pretty Little Head. 2019, painted canvas & cotton, terra-cotta, thread, fiberfil. 5" x 15" x 15"

Lay Your Pretty Little Head. 2019, painted canvas & cotton, terra-cotta, thread, fiberfil. 5″ x 15″ x 15″

Q: What are your goals for this residency?
I’m starting a new body of work I’ve long wanted to make: examining women’s patriotism in America. I will be visiting Seneca Falls, where the Declaration of Sentiments was signed in 1841, demanding that women have equal footing with men under the constitution. I’ve also been collecting visual resources from the 1976 Bicentennial — in particular home decor. I’m intrigued by the trend of domestic patriotism of this time. Especially because women’s public patriotism is sometimes misunderstood as un-American! This local historical research paired with studio explorations of patriotic motif will leave me with a new body of ceramic and fiber work that grapples with women’s patriotism in America.

Also, I’m lucky enough to be able to install a new exhibition in the second floor gallery entitled, power. I will be showing a new ambitious sewing piece, and several other recent works. Exhibition reception is on June 14th from 5-7pm, and artist talk at 6pm!

Q: Where are your favorite places to see artwork?
I love DC. The variety of museums is astounding. The East Wing of the National Galleries is good, in particular the Matisse room. The Freer & Sackler is also great, I took a lot of non-western art history courses in college. A lot of very important ceramic history can be found in China, Japan, and Korea, so the Freer is almost always on my checklist. I also love the Lincoln Gallery in the American Art Museum. The Hirshhorn for really great contemporary stuff. Oh, and The Phillips Collection, that Wolfgang Laib beeswax room- drool worthy.

Recreation. 2018, terra-cotta, slip, fabric, wood, house paint, thread. 45” x 50” x 36”

Recreation. 2018, terra-cotta, slip, fabric, wood, house paint, thread. 45” x 50” x 36”

Q: What advice would you give to other artists?
In particular to artists thinking about going to graduate school — take time off after undergrad. Those few years are so valuable. I worked as a server, an assistant cook, a substitute teacher, a house sitter, etc. If you power through to graduate school, I’m not sure you’ll really convince yourself why you want to be an artist. That floundering will make you appreciate graduate school so much more!

Q: What’s next for you?
I have quite the busy summer! After my residency at Main Street Arts, I will be a visiting artist at the Torpedo Factory Art Center in Arlington, VA for the month of July. I hope to finish this new body of work while in residence there. I also have some upcoming shows for the 2019-20 season! Follow my social media for more information.

Q: Where else can we find you?
www.britnywainwright.com
Instagram: @britny_wainwright
Facebook: Britny Wainwright

Meet the Artist in Residence: Jacquelyn O’Brien

Jacquelyn O’Brien is an artist in residence at Main Street Arts. She’s working in one of our two studio spaces during the months of January–February 2017 (you can stop by the gallery to see her studio and works in progress). We asked Jacquelyn a few questions about her artwork, life, and more:

Jacquelyn O'Brien in her residency studio

Jacquelyn O’Brien in her residency studio

Q: To start this off, tell us a little about your background.

A: I’ve always been a visual person and art appreciator. I’m in love with the visual world and the work it produces. I got my undergraduate degree at the University at Buffalo State College in Sculpture, did a residency in Belle, MO between degrees, and then went to graduate school at the Rochester Institute of Technology, earning a degree in Studio Arts Sculpture. I am the oldest of five children and grew up in a single parent home with my mom. I think this is what made me a feminist. Being my mothers daughter has made me the way I am, being raised by a strong, independent woman.

Jacquelyn O'Brien, "Glitter Queen", cedar, glitter, yarn, 3' x 4', 2016.

Jacquelyn O’Brien, “Glitter Queen”, cedar, glitter, yarn, 3′ x 4′, 2016.

Jacquelyn O'Brien, "Influence Each Other", 3' x 3', cedar, yarn, fiber, 2016.

Jacquelyn O’Brien, “Influence Each Other”, 3′ x 3′, cedar, yarn, fiber, 2016.

Q: How would you describe your work?

A: I would describe my work as being a blending and multiplicity of materials. I combine materials that are traditionally “masculine” or “feminine”, harkening to the mixing of gender identifications in our current culture. My work uses the influence of color, weight, scale, gesture, politics, and materiality.

Cunt Cushions by Jacquelyn O'Brien

Cunt Cushions by Jacquelyn O’Brien

Fabrics in Jacquelyn's residency studio

Fabrics in Jacquelyn’s residency studio

Materials for Jacquelyn's embroidered hoops

Materials for Jacquelyn’s embroidered hoops

Q: What is your process for creating a work of art?

A: My process varies depending on what I’m working on to fulfill the individual needs of each piece. If I’m casting concrete, my process requires more planning in the way of mold making, supplies, armatures, and calculating weight. As a result, I would sketch in a very detailed way, with schematics and details that would help me efficiently create a piece. If I’m making a fabric work, like an embroidery or cunt cushion, I can take more risks and employ more off-the-cuff choices. I always do a small, messy sketch of what I’m thinking about and where I want the work to go before any piece is made. I also like to pin samples of materials on my cork board to see them all together.

Preparatory materials in Jacquelyn's residency studio

Preparatory materials in Jacquelyn’s residency studio

Preparatory materials in Jacquelyn's residency studio

Preparatory materials in Jacquelyn’s residency studio

Q: What are your goals for this residency? 

A: My goal for this residency is to focus on the more time consuming, lighter work that contributes to my heavier, bigger work. I’m working on three large embroideries that have political content stitched upon them. I am in process of constructing a 4×4 foot embroidery that requires me to build out a custom hoop, so that will be an interesting new endeavor!

Jacquelyn at work in her residency studio

Jacquelyn at work in her residency studio

Q: What’s next for you?

A: I’m the founder of a group called the Politits Art Coalition and we have a lot coming up in the next few months. In March, the PAC is showing their work at Gallery Q on College Street in Rochester. Then we’re curating a Women’s Work show in the same month at The Yards Collaborative Art Space. We’re having a show at The Yards featuring work by the six members of the PAC in April as well. Also, I will have a solo show this summer! Stay tuned for dates and locations.

Jacquelyn and Carolina

Jacquelyn and her studio helper Carolina

Q: Where can we find you?

A: You can find my work on my website www.jacquelynmarieobrien.com. You can also find me on Facebook at Jacquelyn O’Brien : Art, on Etsy as AFeministKillJoy, and on Instagram @dogmomm. If you’re looking to see my work in person it is always up at Dichotomy Rochester, located at The Yards. There is a changing display with work for sale. You can email me at jacquelynmarieobrien@gmail.com.


Embroidered hoops by Jacquelyn O'Brien

Embroidered hoops by Jacquelyn O’Brien

Rude Embroidery Workshop with Jacquelyn O’Brien
Saturday, February 18th, 12pm–3pm | $35 per person

Create your own sassy embroideries with fiber artist Jacquelyn O’Brien! In this workshop you’ll play with colored embroidery floss, funky beads, fun fabrics, and fringe to make four-inch “rude embroideries”. 

No need to be polite in this workshop, your rude embroidery can say what you really want to say! Laugh and have a good time while stitching out your innermost thoughts and feelings. 

Call, email, or visit our website to reserve your spot.
(315) 462-0210 | mstreetarts@gmail.com


Are you an artist looking for new opportunities? Apply for a residency at Main Street Arts! Artists in residence will have 24-hour access to a large studio on our second floor (with great natural light), the option to show work in the gallery, and the opportunity to teach paid workshops. Housing is available. Submissions are reviewed and residencies awarded quarterly.

Felted by Judi Cermak

Canandaigua based artist Judi Cermak is currently holding a solo exhibition, Felted, Upstairs at Main Street Arts.

Judi Cermak, "Blue Bell Island", Needle felting embellished with embroidery

Judi Cermak, “Blue Bell Island”, Needle felting embellished with embroidery

Felted exhibits local and imagined scenes created by needled felting  embellished with embroidery and beading. Cermak’s work ranges from traditional landscapes to more symbolic imagery based on fairy tales.

Judi Cermak, "Night", Needle Felting embellished with embroidery and glass beading

Judi Cermak, “Night”, Needle Felting embellished with embroidery and glass beading

Felted is a show that relies heavily upon textures. The texture of the felt contrasts with the glimmering quality of the beading, which is used to emphasize areas of interest in the images.

Judi Cermak, "Valley Road", Needle felting

Judi Cermak, “Valley Road”, Needle felting

Judi Cermak, "West", Needle felting embellished with embroidery

Judi Cermak, “West”, Needle felting embellished with embroidery

Stop by to see Judi Cermak’s solo exhibition Upstairs at Main Street! Her work will be here through September 27, 2014. You can see more information about exhibitions at Main Street Arts here.

Exhibition Dates: August 5–September 27, 2014