Tag Archives: Digital

Inside the Artist’s Studio with Richard Harvey

Richard’s artwork is on view in our juried exhibition “Small Works 2016”. His work is available for purchase in our Online Gallery Shop:


ARTIST STATEMENT: As a figurative artist, I explore the psychological and emotive potential of the human face and figure in a contemporary expressionistic style. My work diversifies across a broad range of two and three-dimensional media including digital and mixed media collage, encaustic painting, digital photography, and mixed media figurative sculpture. My work often draws on both my graphic design background and my interest in primal expression found in ancient or indigenous cultural artifacts.

“Divided We Fall”, Mixed Media 3D Sculpture

I created a political figurative sculpture by bringing together found objects to reflect the fractured tone of our election and the need to heal divisions.  

Found Objects: a rusted tin 3D form used as the face; black coated split steel plate form for the body; 2 small torn, decorative USA flags; red and blue acrylic paint.: I painted a 12×12 inch wood panel white and glued one USA flag in strips to the panel beneath the black steel plate. I screwed the rusty face form to the panel through the side flanges and glued the second USA flag to the face form. I added red and blue acrylic paint to the eyes along with additional red and blue paint to the steel body form. I accented the body with white metal spray and lastly protected it with a coating of clear acrylic spray.

"Divided We Fall" Mixed Media Sculpture

“Divided We Fall”
Mixed Media Sculpture

“Revealed”Digital Print with Encaustic Wax Over Painting, Enhanced Digital Print

“Revealed” was created in Photoshop Software on an iMac computer.  

Process: Before I begin to create imaging on my Mac computer, I first scan all the imaging elements into the computer before I assemble and collage the final print. These elements include digital photographs, drawings and other scanned objects used for special effects. One important process in Photoshop is called “layers”. These are separate pieces of art that float above one another, and I can work on each layer independently. When the image is completed I print the image on archival digital paper with an ink jet printer, and I over-paint the print with encaustic wax, and other media. Rather than making limited editions of one print, I create variants of pieces that interest me, thus each print becomes one of a kind. Main elements of the piece “Revealed” include a photograph taken in Holland showing layers of worn, deteriorating and peeling paper on a large public wall in which the subject matter was not wholly recognizable. The defaced image represents a visual expression of the psychological state of mind.

"Revealed" Enhanced Digital Print

Enhanced Digital Print

Richard Harvey's artwork in Small Works 2016

Richard Harvey’s artwork in Small Works 2016

Stop by Main Street Arts to see Richard’s work in our current exhibition “Small Works 2016” (juried by Bleu Cease, Executive Director/Curator of RoCo; exhibition runs through January 6th). Richard’s work is available in our Online Gallery Shop: store.mainstreetartsgallery.com.

Take a look at our previous Inside the Artist’s Studio blog post by ceramic artist Rachel Donner.

Meet the Artist in Residence: Cathryn Leyland

Cathryn Leyland is an artist in residence at Main Street Arts! She’s working in one of our two studio spaces during the months of September–October 2016 (you can stop by the gallery to see her studio and work in progress). We asked Cathryn a few questions about her artwork, life, and more:

Artist in Residence Cathryn Leyland in her Main Street Arts studio

Artist in Residence Cathryn Leyland in her Main Street Arts studio

Q: Tell us about your background.

A: I grew up in the house of an artist and a paper engineer, so materials were always accessible and projects abundant.



After starting another career path, I headed back into art through an interest in scientific textbook authoring and illustration. Upon finishing an MFA, I found myself teaching computer graphics amid courses in professional and technical communications.

Photos (c)CRLeylandI owe my teaching pathway to  printmaker Eric Bellmann, who was art chair for the evening division at RIT. He entrusted me with teaching so early in my working years. And Tom Moran, my chair during the evolving years of computer graphics.

Teaching led me into writing and illustrating online course materials, and developing new courses. It took me  a while to realize that curriculum design was essentially book publishing, with a smaller audience and immediate feedback. I suppose one could conclude, “You can always do science for a hobby.”

This fall my courses are online, which frees me to settle into Clifton Springs for this great opportunity at Main Street Arts. It will be refreshing to produce art there, meet people,  and see what emerges from workshops.


CRLeyland Abstract

Q: How would you describe your work?

A: Everyone sets their balance between order and chaos, dealing with what arrives. Life brings disarray, and we scramble to pack it into order. Often the interruption is order; we just haven’t recognized patterns yet. My artwork respects chaos, and the order that can be formed from it.


I pursue ideas that I’d like to teach others, or find adventures in trying new tools.

I can’t resist sandboxing fabric ideas at Spoonflower.com, and have hidden vices where print-on-demand services wrap my images on new products.

(c) CRLeyland on Spoonflower

For  short time, I designed surface pattern for fashion and fabric through an agent. Seamless pattern design could be an interesting topic for a gallery workshop.

I’ve sold ceramic sculpture to people carrying it through a crowded festival; painted public art while onlookers shouted from their cars; designed promotional materials, to find that different opinions make us such snowflakes.

In artistic expression we tell our individual stories, and should expect others’ to be different. Then we are delighted when  ideas connect, when visual communicators seem to understand how we were thinking.

Q: What is the most useful tool in your studio?

A: Scissors beat paper and rock. Vital tools are bitmap software, MS Notepad, small graphics tablet, phone camera– to jot down ideas or carry out a full vision.


Acrylic paint on board conveys what’s on my mind most effectively.


Q: What is your process for creating a work of art?

A: Projects often start with curiosity about materials, combining things in unexpected ways. I see what I already have to work with, and build on that. My pewter phase began with videos of survivalists melting cans and pouring molten metal on garage floors. Who can resist.

In approaching a project, I pick up peripheral information. Learn everything, then narrow to how I’d like to carry it out. Art-making is about choices, and is not necessarily an additive process. Try removing as fast as you add.


Q: What are your goals for this residency?

A: Work will emerge in both pewter jewelry, and acrylic abstracts.

In preparation, I cast pewter into organic and geologic forms, and will combine these with semi-precious stones, amber, freshwater pearls, a little sterling and other metals. Shapes were melted ahead of time, to keep the gallery off speed dial to Clifton Springs FD.


(c)2016 CRLeylandI have small paintings to finish, which will gradually appear outside my second floor studio.


During the residency, you will see the progression of a painted series, on Finger Lakes waterways. The depth of Seneca Lake, winding of Flint Creek, elevations, watersheds, and glacial structures… I would like to highlight fluidity, sprawl, and vulnerability in upstate waters.

And oh! I look forward to offering workshops, seeing what each person brings in experience and insight.

Q: What’s next for you?

A: Two upcoming juried exhibits here, I’d like to submit work to– Small Works 2016 and The Cup, The Mug.

I expect to carry the pewter idea further, into art jewelry exhibits. Pewter is malleable and melts at low temperatures, so it’s wonderful to work with, and opens up many possibilities. I had the opportunity to wax-cast silver when I was young, and am building that experience into the way I cast pewter.


I continue to teach, freelance, write, take on other work… and am always eager to explore new opportunities.

Q: Where else can we find you?

A: Saatchi ArtFine Art AmericaLinkedIn, and Spoonflower — A great place for trying new ideas for seamless repeats–and connecting with thoughtful, creative people.

(c) 2014-16 CRLeyland fabric

Q: Do you collect artwork?

A: I have stoneware and abstracts that harmonize with life. Art might arrive through connection with an artist, friend or relative, or a discovery I can’t pass up.

(c) CRLeyland

Are you an artist looking for new opportunities? Apply for a residency at Main Street Arts! Artists in residence will have 24-hour access to a large studio on our second floor (with great natural light), the option to show work in the gallery, and the opportunity to teach paid workshops. Submissions are reviewed and awarded on an ongoing basis.