Tag Archives: black and white photography

Inside the Artist’s Studio with Julie Herman

I am a Syracuse, NY based photographer with work in the de/composition exhibition currently on display at Main Street Arts.

"Packard Automotive", photograph included in de/composition at Main Street Arts

“Packard Automotive”, photograph included in de/composition at Main Street Arts

I received my BFA from Alfred University, and currently work for Light Work, a non profit photography organization based at Syracuse University. Light Work supports emerging and under represented artists through a residency program, grants, and lab facilities. I also do freelance work and studio photography.

My photographs focus on the decline of American industry, and the effect it has had on neighboring communities. As a child growing up in Endicott, NY, I witnessed the slow collapse of IBM, the region’s major employer. When layoffs began, I remember watching my father worry about losing his job. As offices closed, and manufacturing plants were shut down, the landscape became dotted with vacant factories and shuttered storefronts. As IBM’s presence in Endicott slowly dwindled, the places where I spent my childhood were abandoned, and stand now as derelict property.

The IBM country club pool, now full of reeds and rainwater

The IBM country club pool, now full of reeds and rainwater

Former blast furnace, Pennsylvania

Former blast furnace, Pennsylvania

As I began to search for other towns that had been similarly affected, I saw the same story unfold in other areas; places that once had function and purpose are now empty, nature slowly reclaiming the buildings and their contents. Despite their great amount of deterioration, I find these places serene. A sun beam through the roof, or a seedling rooted in the floor signal hope and beauty where it might not be expected.

Control panel at the now abandoned IBM country club

Control panel at the now abandoned IBM country club

Empty house in a company town in Pennsylvania

Empty house in a company town in Pennsylvania

Forgotten work glove at a Pennsylvania lace factory

Forgotten work glove at a Pennsylvania lace factory

Recently, I have begun collecting mementos from the places I visit. Old invoices, letters, torn wallpaper, and discarded books all tell stories of those who had been there before. I have also been collecting old IBM memorabilia: postcards of the manufacturing facilities, photographs, and items that belonged to my father. I don’t know what I will do with them yet, but gathering them feels like the next step to me.

Collected items

Collected items

I took my first photography class in high school, where I was introduced to a traditional black and white darkroom. Despite the prevalence of digital cameras, analog processes are still central to my image making process. While my freelance work demands the immediacy of a digital workflow, almost all of my personal work is done in the darkroom.

I photograph using medium format film cameras from the 1950’s and 60’s. Shooting with film forces me to slow down, consider each frame, and be present in the space. There is joy and excitement in waiting to see the images; not knowing with certainty that I’ve captured what I intended.  I enjoy the process of analog photography, the physicality of the work, and even after two decades of darkroom printing, watching an image materialize in the developer is a magical experience.

After years of using a community space, I finally installed a darkroom in my basement. The nice thing about developing film and silver gelatin prints is that it doesn’t change much. It’s the same process that I used in high school. There is no need to upgrade to a better camera, a nicer monitor, or faster computer.

You can see more of my work at www.juliekherman.com or on instagram @juliekherman.


Julie Herman is one of 31 artists featured in the national juried exhibition de/composition at Main Street Arts. Work from the exhibition can be previewed and purchased through the gallery’s online shopde/composition runs through June 28, 2019.

Inside the Artist’s Studio with Jeremy Moule

Hi. This is me.

Hi. This is me.

Every photograph represents a moment; whether the exposure lasts a fraction of a second long or spans several hours, the maker is capturing a defined period of time.

I find many of the moments in my images as I wander through Rochester’s streets and neighborhoods. I’m subject agnostic — not a true street photographer — alternating between people, the built environment, and various objects. My mood often guides me and seeps into my images; so do gut reactions to what’s in front of me. It’s a slight shift from my full-time work as a journalist, where I’m supposed to keep my emotions out of my writing.

A little time on my feet and a little patience enabled me to make this photo.

This photo came together after a little time on my feet and a little patience. I think the anonymous subject and I shared a little fascination with the fire-breathing machine.

“Spectre of the Piss Tunnel,” which is part of de/composition, came together in an instant and is a good example of my process.

I was out walking around the edge of the High Falls District and started photographing a stack of newspapers that had been tossed in a tunnel under the Inner Loop. Then a stranger walked past me. The camera I was using, an old Yashica, isn’t exactly built for speed, but I recomposed and refocused in time and click, I got the image.

"Spectre of the Piss Tunnel"

“Spectre of the Piss Tunnel”

The image has a gloomy, tense quality to it, which was my intention.  I knew I wanted the figure to remain in the shadow, so I set my camera’s shutter speed accordingly.

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Cameras are tools, part of a process but not the process itself.

With people, I like to preserve a sense of the anonymity inherent in a city environment. The objects and structures I photograph show traces of human presence, if not the impact that people have on their surroundings and environments.

The way we alter our surroundings sends messages, intentional or not.

The way we alter our surroundings sends messages, intentional or not.

Sometimes I use a digital camera, but my preference is usually for 35mm or 120 film. I hand-develop my black and white film as well as my color negative film, and I do my own black and white printing. The analog processes are tactile and meditative, plus I’m generally happier with the results.

The Flower City Arts Center darkrooms are about the closest thing I have to an actual studio, and they’re a valuable resource. So is the community around the center. The folks who work, teach, and create there have given me knowledge, criticism, and opportunity which has in turn helped me grow as a photographer.

Bye!

Bye!

 


Jeremy Moule is one of 31 artists featured in the national juried exhibition de/composition at Main Street Arts. Work from the exhibition can be previewed and purchased through the gallery’s online shopde/composition runs through June 28, 2019.